With works based on experience and perception, particularly of place, time and rhythm, Cevdet Erek’s practice might be considered an investigation into the politics of space. An artist with a background in architecture as well as music, Erek has often worked site-specifically in non-art spaces as part of his natural territory. His installation series Room of Rhythms which began in 2012 for Documenta 13 in a disused department store being a key example, followed more recently by his major project ÇIN for the Pavilion of Turkey at the Venice Biennale in 2017.

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